On TWO-hog /tuhog/

On the first thought, the movie entitled “Tuhog” gives the impression of a bold film. It is starred with sexy artists like Ina Raymundo and Klaudia Koronel..

The truth is, this movie is more than just a bold film.. It gives many values and also targeted the media ethics specifically in the film industry.

We watched this film in our Communication Arts 110 – Aesthetics class as a subject for our discussions. The film is not only a good example of Aristotle’s notion of Imitation as I have mentioned in my previous entry, but also a good subject in determining a movie if it is aesthetically sound.

Theoretically, the movie follows the Freytag’s Triangle.. 

Freytag’s Triangle

In Technique of the Drama (1863), Gustav Freytag outlined what he considered to be the most successful structure for a play, based on the writings of Aristotle, Shakespeare, and the format of the well-made play (which we will discuss later in the semester). Briefly, Freytag believed the action of the play could be organized in the shape of a triangle, stressing that there should be five distinct parts:

 

3. climax
/\
/     \
2. rising action         /         \        4. falling action
/             \
/________ \
1. introduction                                                           5. resolution
 (a.k.a. exposition)                                                     (a.k.a. denouement)

  1. The introduction (or exposition) explains the place and time of the action, and briefly characterize the environment. Often, the exposition is a summary of what has happened before the play itself begins. In Oedipus the King, the introduction is where we find out that we are in Athens, there has been an ongoing plague, and that Oedipus is the man who solved the riddle of the Sphinx long ago to become king.        In Tuhog, the exposition begun with the introduction of the main characters and the diffferent characteristics of each: Floring as a bit abnormal girl, his mother Perla as a victim of sexual abuse by his father, Amang. It is also here when Floring was raped by her Amang.
  2. The rising action begins when the events of the play are set in motion. They should produce a progressive intensity of interest, each building upon the last until you finally reach a climax of action. In Oedipus, rising actions include sending Creon to the oracle, which leads to hearing the cause of the plague; hearing the prophesies of Tiresias, who says Oedipus himself is the murderer; Jocasta making fun of the oracles; the Messenger from Corinth bringing news of the death of Oedipus’s “father”; the revelations of the Shepherd.       In Tuhog, the rising action is when a director and a producer approached Floring and Perla to make their Life story in to a movie.
  3. The climax is the highest point of the action, the highest point of tension, after which the rest of the play becomes inevitable. Freytag says that this should be a “vividly conspicuous” point in the action, but sometimes we can find differing points of interpretation. In Oedipus, the climax occurs just after the Shepherd’s revelations, when Oedipus finally realizes that he himself is the murderer, and that he has actually fulfilled the oracle’s prophesies.         In Tuhog, the Climax is when in the movie “Hayok sa Laman” Floring’s character named Hasmin is being raped by her Amang and at the same time Floring(in the real life) saw herself on the big screen.  It is also on this part when the movie turned into a suspense with regards to Amang being back to life(they thought he already died), chasing them with a gun.
  4. The falling action occurs after the climax. It is usually shorter than the rising action, since there is necessarily less suspense. The falling action shows the result of the climax, and sometimes includes a calm before the storm: a moment when we believe that everything can still turn out all right. In Oedipus, the falling actions include Jocasta’s suicide and Oedipus’s offstage blinding.         The falling action in Tuhog is when Amang died and Perla’s character Violeta became a mentally retarded person.
  5. The resolution (also known variously as the denouement or catastrophe) is the closing action, where the loose ends of the play are tied. It must be brief and simple, where the character’s downfall is relieved through a great deed. In Oedipus, this is where Oedipus begs for (and is granted) exile, and we understand that life will return to normal in Athens.            The Resolution in Tuhog is when the two lovers, Hasmin and Adan lived happily. In real life, the resolution happened when they went back home.

Source:http://www.english.uiuc.edu/lit_resources/english%20102/miscellaneous/freytag.htm

imitation???

Asa ang ORIG? ug asa ang IMITATION?

hahahah! mura mag victoria plaza kay daghag imitation na sapatos… (jokez_101)

Seryoso na ni… aha ang ORIG ug aha ang IMITATION??

eto pa..

 

According to Plato (Book X of The Republic), ang original daw ay yung gawa ng CREATOR or the IDEA ITSELF at lahat ng mga nahahawakan at nakikita natin ngayon ay IMITATION.

Ayon naman kay Aristotle,(On Poetics) hindi daw iyon makatotohanan. Sapagkat lahat ng gawa at gawa ng tao ay ma-consider na nating ORIG. Isa rin sa mga notions ni Aristotle ay makikita sa pelikulang “Tuhog” wherein there is a movie within a movie.

 

Honestly, nag-iba ang pananaw ko kay Plato sa sinulat niya sa Book X ng The Republic. Nasabi niya doon na ang lahat ng mga artists ay mga IMITATIORS lamang, at ang mga tunay na creators ay iyong nasa fields kung saan merong mga precisions gaya ng architecture at carpentry. In a way, he said that it is way better to be a carpenter than to be an artist.

 

Mas pinaniniwalaan ko ngayon ang notions ni Aristotle on this topic.

 

 

Image sources:

http://ggfree.com/images/products/200/ChuckTaylorConverseShoes.jpg

http://www.pickyourshoes.com/images/shoes/chuck_blk_2.jpg

http://www.holmes.pwp.blueyonder.co.uk/SPIDER/Copy%20of%20spider%20(4).jpg

http://a1259.g.akamai.net/f/1259/5586/5d/images.art.com/images/-/Spiderman—Rope–C10039743.jpeg

http://mud.mm-a2.yimg.com/image/586584732

http://www.ics.uci.edu/~eppstein/pix/facepaint/Spiderman-m.jpg

http://www.bastardpenguins.com/articles/81/penguin.jpg

http://us.ent3.yimg.com/movies.yahoo.com/images/hv/photo/movie_pix/warner_brothers/happy_feet/happyfeet_tempposter.jpg

http://www.bantayden.com/webgraphic/penguin/Penguin.jpg

http://christine.typepad.com/photos/completed_projects_2005/penguin_100205.jpg

Beauty…

Is she beautiful?

her?

 

her??

 

What about……..

 

HER???

On the first meeting that we had in our Communication Arts 110 – Aesthetics class, we were asked to answer the following question:

  1. What/Who do you consider beautiful?
  2. What are your criteria to consider something or someone beautiful?
  3. Does thios criteria apply to other things?

Beauty is an abstract. We have different definitions…

“Beautyis relative…and she is my first cousin.” That’s what our instructor, sir Nino said. Well, indeed, beauty is relative, but it isn’t sir Nino’s relative..she is my relative.. :-) juz kidin…

We have our own set of criteria in considering whether someone/something beautiful or not.

As for me, beauty is found from within. It is naked to human eye. It is being true to yourself, and not being ashamed of who you REALLY are.

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