On the first thought, the movie entitled “Tuhog” gives the impression of a bold film. It is starred with sexy artists like Ina Raymundo and Klaudia Koronel..
The truth is, this movie is more than just a bold film.. It gives many values and also targeted the media ethics specifically in the film industry.
We watched this film in our Communication Arts 110 – Aesthetics class as a subject for our discussions. The film is not only a good example of Aristotle’s notion of Imitation as I have mentioned in my previous entry, but also a good subject in determining a movie if it is aesthetically sound.
Theoretically, the movie follows the Freytag’s Triangle..
Freytag’s Triangle
In Technique of the Drama (1863), Gustav Freytag outlined what he considered to be the most successful structure for a play, based on the writings of Aristotle, Shakespeare, and the format of the well-made play (which we will discuss later in the semester). Briefly, Freytag believed the action of the play could be organized in the shape of a triangle, stressing that there should be five distinct parts:
3. climax
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/ \
2. rising action / \ 4. falling action
/ \
/________ \
1. introduction 5. resolution
(a.k.a. exposition) (a.k.a. denouement)
- The introduction (or exposition) explains the place and time of the action, and briefly characterize the environment. Often, the exposition is a summary of what has happened before the play itself begins. In Oedipus the King, the introduction is where we find out that we are in Athens, there has been an ongoing plague, and that Oedipus is the man who solved the riddle of the Sphinx long ago to become king. In Tuhog, the exposition begun with the introduction of the main characters and the diffferent characteristics of each: Floring as a bit abnormal girl, his mother Perla as a victim of sexual abuse by his father, Amang. It is also here when Floring was raped by her Amang.
- The rising action begins when the events of the play are set in motion. They should produce a progressive intensity of interest, each building upon the last until you finally reach a climax of action. In Oedipus, rising actions include sending Creon to the oracle, which leads to hearing the cause of the plague; hearing the prophesies of Tiresias, who says Oedipus himself is the murderer; Jocasta making fun of the oracles; the Messenger from Corinth bringing news of the death of Oedipus’s “father”; the revelations of the Shepherd. In Tuhog, the rising action is when a director and a producer approached Floring and Perla to make their Life story in to a movie.
- The climax is the highest point of the action, the highest point of tension, after which the rest of the play becomes inevitable. Freytag says that this should be a “vividly conspicuous” point in the action, but sometimes we can find differing points of interpretation. In Oedipus, the climax occurs just after the Shepherd’s revelations, when Oedipus finally realizes that he himself is the murderer, and that he has actually fulfilled the oracle’s prophesies. In Tuhog, the Climax is when in the movie “Hayok sa Laman” Floring’s character named Hasmin is being raped by her Amang and at the same time Floring(in the real life) saw herself on the big screen. It is also on this part when the movie turned into a suspense with regards to Amang being back to life(they thought he already died), chasing them with a gun.
- The falling action occurs after the climax. It is usually shorter than the rising action, since there is necessarily less suspense. The falling action shows the result of the climax, and sometimes includes a calm before the storm: a moment when we believe that everything can still turn out all right. In Oedipus, the falling actions include Jocasta’s suicide and Oedipus’s offstage blinding. The falling action in Tuhog is when Amang died and Perla’s character Violeta became a mentally retarded person.
- The resolution (also known variously as the denouement or catastrophe) is the closing action, where the loose ends of the play are tied. It must be brief and simple, where the character’s downfall is relieved through a great deed. In Oedipus, this is where Oedipus begs for (and is granted) exile, and we understand that life will return to normal in Athens. The Resolution in Tuhog is when the two lovers, Hasmin and Adan lived happily. In real life, the resolution happened when they went back home.
Source:http://www.english.uiuc.edu/lit_resources/english%20102/miscellaneous/freytag.htm





